a box of sky
Just passing through.
a box of sky
+
plazyer-gif:

the-foxandthe-bodhi:

Oh wow…

The last pic
plazyer-gif:

the-foxandthe-bodhi:

Oh wow…

The last pic
plazyer-gif:

the-foxandthe-bodhi:

Oh wow…

The last pic
plazyer-gif:

the-foxandthe-bodhi:

Oh wow…

The last pic
plazyer-gif:

the-foxandthe-bodhi:

Oh wow…

The last pic
plazyer-gif:

the-foxandthe-bodhi:

Oh wow…

The last pic
plazyer-gif:

the-foxandthe-bodhi:

Oh wow…

The last pic
+
asylum-art:

Olivia Knapp Drawings

Facebook

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th and 17th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
asylum-art:

Olivia Knapp Drawings

Facebook

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th and 17th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
asylum-art:

Olivia Knapp Drawings

Facebook

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th and 17th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
asylum-art:

Olivia Knapp Drawings

Facebook

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th and 17th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
asylum-art:

Olivia Knapp Drawings

Facebook

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th and 17th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
asylum-art:

Olivia Knapp Drawings

Facebook

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th and 17th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
asylum-art:

Olivia Knapp Drawings

Facebook

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th and 17th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
asylum-art:

Olivia Knapp Drawings

Facebook

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th and 17th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
asylum-art:

Olivia Knapp Drawings

Facebook

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th and 17th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
asylum-art:

Olivia Knapp Drawings

Facebook

Olivia Knapp’s intricate hand drawn pen and ink style is influenced by European line engravings of decorative relief and scientific specimens from the 16th and 17th centuries. Her tight cross hatching technique involves long slow and steady curved lines that articulate the surface contours of her subjects; creating supple and tangible imagery. These un-swelled lines incorporate a “line to dot” rendering method as well as an, extremely rare “dot and lozenge” rendering method. “Dot and lozenge” is a practice that was used by 16th century masters, in which a dot is placed in the center of a diamond shape made by a cross hatching pattern, helping to refine the transition between values.
+
nyctaeus:

handscapes by Kai Wasikowski
+

Pride & Prejudice (2005) + Photoshop

Pride & Prejudice (2005) + Photoshop

Pride & Prejudice (2005) + Photoshop

Pride & Prejudice (2005) + Photoshop

Pride & Prejudice (2005) + Photoshop

Pride & Prejudice (2005) + Photoshop

Pride & Prejudice (2005) + Photoshop

Pride & Prejudice (2005) + Photoshop
+
thetypologist:

Trees by Myoung Ho Lee.
+
fstopped:

Hiroshi Sugimoto
from his series “Theaters” 
see more here
fstopped:

Hiroshi Sugimoto
from his series “Theaters” 
see more here
fstopped:

Hiroshi Sugimoto
from his series “Theaters” 
see more here
fstopped:

Hiroshi Sugimoto
from his series “Theaters” 
see more here
fstopped:

Hiroshi Sugimoto
from his series “Theaters” 
see more here
fstopped:

Hiroshi Sugimoto
from his series “Theaters” 
see more here
fstopped:

Hiroshi Sugimoto
from his series “Theaters” 
see more here
fstopped:

Hiroshi Sugimoto
from his series “Theaters” 
see more here
fstopped:

Hiroshi Sugimoto
from his series “Theaters” 
see more here
fstopped:

Hiroshi Sugimoto
from his series “Theaters” 
see more here
+
nevver:

Don’t be a jerk
+
+
Tumblr shows its true colors.
Tumblr shows its true colors.
Tumblr shows its true colors.
Tumblr shows its true colors.
Tumblr shows its true colors.
Tumblr shows its true colors.
+
pennilessphotographer:

"Our Love was written in stars"—Accident Series
https://zerenbadar.see.me
my instagram
+
heroinsight:

The Apache, 1916 by Edward S. Curtis
+
euxinus:

Nina Simone
+
+
+
scalesofperception:

"That’s here. That’s home. That’s us. 
On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every “superstar,” every “supreme leader,” every saint and sinner in the history of our species lived there-on a mote of dust suspended in a sunbeam.”
- Carl Sagan
SoP | Scale of Representation